vi–IV–I–V · F major

Dm – B♭ – F – C

viDm · D F A
IVB♭ · B♭ D F
IF · F A C
VC · C E G

Dm – B♭ – F – C: the same four chords as I–V–vi–IV, started on the minor one. The Cranberries’ “Zombie” turns on this order. In F major they are vi, IV, I and V.

Smooth voicings — root in the left hand

The right hand takes whichever inversion is nearest, so it moves by a step or two instead of jumping.

Dm vi · root position

D1D1F♭3A5

1 · ♭3 · 5 over D in the bass

B♭ IV · first inversion

D3F5B♭1B♭1

3 · 5 · 1 over B♭ in the bass

F I · second inversion

F1C5F1A3

5 · 1 · 3 over F in the bass

C V · root position

C1C1E3G5

1 · 3 · 5 over C in the bass

Why it works

Starting on the minor chord makes the whole loop sound minor and searching, though not one chord has changed — the order of the same four chords is the whole difference.

Play it. See every name.

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Cadenza names every chord you play, live, with the degree over each key — and writes what you played as sheet music. The core is free forever, on Mac and Windows.