The book

From the Triad to Grips

The shortest way into jazz chords and their voicings — the whole method written down, from the first interval to both hands playing at once.

€9.99 PDF

77 A5 pages 13 chapters 64 worked entries examples in C English & Lithuanian

The title page of From the Triad to Grips
A5, black on white. It is a book, not a slide deck — made to sit on the music desk while you play.
A book page showing the perfect fifth: staff notation beside a keyboard diagram, with a table of shapes
Every interval and chord appears twice: on the staff, and on the keys. The book teaches the picture under the hand, not the arithmetic.

Why it is not another theory book

Every figure is drawn by the code the app runs on.

The staves, the keyboards, the fingering, the degree labels — none of it is typeset by hand. The book calls the same chord engine that grades your playing in Cadenza, so the page and the screen cannot disagree with each other.

That is also why it is honest about size. Sixty-four entries, each one a chord or a run drawn in full; no filler chapters on shapes you will never play, and no exercises whose answer the book does not show you.

A book page showing a Cmaj9 Grip on the grand staff with fingering, the degrees on the lit keys, and the scale that wraps around it
A Grip with its fingering, the degree of every lit key, and the scale that wraps around it — the shape this whole book is walking towards.
A book page showing a Stop here box followed by the opening of the chapter on seventh chords
Every chapter ends with “Stop here”: what you now have, what you can already play, and what the next chapter adds. The book is built to be put down.

What is inside

Thirteen chapters, in the order a hand learns them.

Part one — up to Grips

  1. The keyboardBefore the first chord: the two intervals everything is built from, and the three ways each looks under the hand.
  2. TriadsThe first chord, built the way every chord after it will be built — the fifth first, then the third inside it.
  3. Seventh chordsThe same triad with one more note, found by counting down from the root above rather than up from anywhere.
  4. Sevenths in the right handThe same four degrees split between the hands: the root underneath, 7·3·5 above it.
  5. ShellsTake the fifth out. What is left still says which chord it is — with three notes instead of four.
  6. Suspended chordsTake the third out instead and put a neighbour in its place. The chord stops being major or minor.

Part two — with Grips

  1. The GripThe root leaves the hand. Four notes, two ways of stacking them, and everything after this is built on it.
  2. The wrapYour hand already holds five notes of a seven-note scale. The two that are left are lying in its gaps.
  3. Continuous inversionA chord is not three positions with a switch between them. It is one shape repeating up and down the keyboard.
  4. SwitchesOne hand shape, many chords. Each colour is a single finger standing somewhere else.
  5. CadencesTwo chords joined to a third. II–V–I is what all of it is for.
  6. Over the bassA shape you already play, put over a bass that changes what it means.
  7. Bass, melody and GripBoth hands at once: the bass, the tune, and the Grip between them.
The table of contents of the book, listing both parts and all thirteen chapters
The contents page. Part one gets you to the Grip; part two is everything the Grip makes possible.

Before you buy

What it is, and what it is not.

  • A PDF, not a printed book. A5, laid out for paper — print it yourself or read it on a tablet on the music desk. Nothing is posted to you.
  • Both languages, one purchase. English (77 pages) and Lithuanian (75 pages), delivered together.
  • It stands without the app. There is a Grips trainer in Cadenza that drills exactly this method, but the book does not require it — and the app does not require the book.
  • Examples are written in C. Once a shape is learned, moving it is the exercise; the book says so instead of reprinting twelve keys.
  • No licence, no activation. It is a file. It is yours.

The method, on the music desk.

One-time payment · PDF, English and Lithuanian · 14-day refund