Smooth voicings — root in the left hand
The right hand takes whichever inversion is nearest, so it moves by a step or two instead of jumping.
Fm vi · root position
1 · ♭3 · 5 over F in the bass
D♭ IV · first inversion
3 · 5 · 1 over D♭ in the bass
A♭ I · second inversion
5 · 1 · 3 over A♭ in the bass
E♭ V · root position
1 · 3 · 5 over E♭ in the bass
Why it works
Starting on the minor chord makes the whole loop sound minor and searching, though not one chord has changed — the order of the same four chords is the whole difference.
vi–IV–I–V in every key
More progressions in A♭
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